The video installation looks like she is in the pink provides a pleasurable instruction for action and contextualisation of the app described above. Three hand models, specially cast by the artist, continuously perform the movement sequences that are necessary to produce the red paper carnations. 

They do this in an empty hall and film each other as they do so. The performers thus pursue their gainful employment as hand models, whereby their activity in this case consists of activating their own body memory in order to help women’s forgotten or unseen work gain new visibility.

Text by Georgia Holz